Probably Gold Star Studios, Los Angeles, CA, December 15, 1952 Isn't It Romantic Pacific Jazz EP4-4, PJLP-3, JWC-504, (J) K18P-9259; Mosaic MR4-122. Pacific Jazz JWC-504 Various Artists - Rodgers And Hart Gems 1957= World Pacific JWC-504 - 1958. Pacific Jazz (J) K18P-9259 Chet Baker Quartet - Cool Baker, Vol. 1 1983. Mosaic MR4-122, MD3-122 The Complete Pacific Jazz Studio Recordings Of The Chet Baker Quartet With Russ Freeman 1987. Pacific Jazz PJLP-3 Chet Baker Quartet 1953.

• Gerry Mulligan Youtube

Pacific Jazz EP4-4 Chet Baker QuartetRuss Freeman, piano; Red Mitchell, bass; Bobby White, drums. 'The Haig', Hollywood, CA, probably early January, 1953 Aren't You Glad You're You Mosaic MR5-102; Pacific Jazz 7243 8 38263 2 2Get Happy -Poinciana -Godchild -. Mosaic MR5-102 The Complete Pacific Jazz And Capitol Recordings Of The Original Gerry Mulligan Quartet And Tentette With Chet Baker 1983= Mosaic MD3-102 - 1989. Pacific Jazz 7243 8 38263 2 2 The Complete Pacific Jazz Recordings Of The Gerry Mulligan Quartet With Chet Baker 1996Chet Baker, trumpet; Lee Konitz, alto sax; Gerry Mulligan, baritone sax; Carson Smith, bass; Larry Bunker, drums. 'The Haig', Hollywood, CA, May 20, 1953 PJ-1607 Five Brothers Pacific Jazz 616, EP4-21, PJLP-10, X-313, PJ-8, PJ-LA892-H; Mosaic MR5-102; Pacific Jazz 7243 8 38263 2 2I Can't Get Started Pacific Jazz EP4-21, PJLP-10; Mosaic MR5-102; Pacific Jazz 7243 8 38263 2 2Ide's Side Mosaic MR5-102; Pacific Jazz 7243 8 38263 2 2Haig And Haig (as Funhouse) -My Funny Valentine Pacific Jazz PJ-75; Mosaic MR5-102; Pacific Jazz 7243 8 38263 2 2. Pacific Jazz PJ-8 The Genius Of Gerry Mulligan 1960= Pacific Jazz ST-20140 - 1968.

Gerry Mulligan Youtube

Pacific Jazz PJ-LA892-H Various Artists - Jazz - The 50's, Vol. 'The Haig', Hollywood, CA, June 12, 1953 My Funny Valentine Pacific Jazz 7243 8 35634 2 5Strike Up The Band -The Way You Look Tonight -Yardbird Suite -Yesterdays -Winter Wonderland -Come Out Wherever You Are -Move -What's New -Half Nelson -Little Willie Leaps -Soft Shoe -Whispering -Bernie's Tune -All The Things You Are -Winter Wonderland (take 2) -Gone With The Wind -. Pacific Jazz 7243 8 35634 2 5 Chet Baker And Stan Getz - West Coast Live 1997Harry Edison, trumpet; Arnold Ross, piano; Joe Comfort, bass; Alvin Stoller, drums. Los Angeles, CA, July 27, 1953 PJ-225 The Lamp Is Low (as Pavane For A Dead Princess) Pacific Jazz 605, EP4-14, PJLP-3; World Pacific WP-1249; Pacific Jazz DJ-1, (J) K18P-9259; Mosaic MR4-122This Time The Dream's On Me Pacific Jazz EP4-4, PJLP-3, (J) K18P-9259; Mosaic MR4-122PJ-227 Maid In Mexico Pacific Jazz 605, EP4-14, PJLP-3, (J) K18P-9259; Mosaic MR4-122. World Pacific WP-1249 Chet Baker - Pretty/Groovy 1959. Pacific Jazz DJ-1 Various Artists - Disc Jockey Edition. Pacific Jazz (J) K18P-9259 Chet Baker Quartet - Cool Baker, Vol.

1 1983. Mosaic MR4-122, MD3-122 The Complete Pacific Jazz Studio Recordings Of The Chet Baker Quartet With Russ Freeman 1987. Pacific Jazz PJLP-3 Chet Baker Quartet 1953. Pacific Jazz EP4-14 Chet Baker Quartet. Pacific Jazz EP4-4 Chet Baker Quartet.

Pacific Jazz 605 Chet Baker - The Lamp Is Low / Maid In Mexico 1953= Pacific Jazz 45-605 -Chet Baker, trumpet; Russ Freeman, piano; Carson Smith, bass; Larry Bunker, drums. Radio Recorders, Los Angeles, CA, October 27, 1953 1. PJ-306 I Fall In Love Too Easily Pacific Jazz 614; Mosaic MR4-1222. PJ-307 Winter Wonderland (78 take) -3. Winter Wonderland (LP take) World Pacific WP-1249; Pacific Jazz (J) K18P-9260; Mosaic MR4-122; Blue Note CDP 7 94857 24. PJ-310 The Thrill Is Gone Pacific Jazz 615, EP4-16, PJLP-11, PJ-1222; Mosaic MR4-122. Mosaic MR4-122, MD3-122 The Complete Pacific Jazz Studio Recordings Of The Chet Baker Quartet With Russ Freeman 1987.

World Pacific WP-1249 Chet Baker - Pretty/Groovy 1959. Pacific Jazz (J) K18P-9260 Chet Baker Quartet - Cool Baker, Vol.

However, to help fuel the fire, donations go a long way. Reverse gamertag lookup download yahoo account.

2 1983. Pacific Jazz PJ-1222 Chet Baker Sings 1956= World Pacific PJ-1222 - 1958.

Blue Note CDP 7 94857 2 Various Artists - Yule Struttin' (A Blue Note Christmas). Pacific Jazz PJLP-11 Chet Baker Sings 1954.

Pacific Jazz EP4-16 Chet Baker Sings. Pacific Jazz 614 Chet Baker - I Fall In Love Too Easily / Winter Wonderland 1953= Pacific Jazz 45-614 -. Pacific Jazz 615 Chet Baker - Happy Little Sunbeam / The Thrill Is Gone 1953= Pacific Jazz 45-615 -Chet Baker, trumpet, vocals; Russ Freeman, piano; Joe Mondragon, bass; Shelly Manne, drums; + an overdub: Joe Pass, guitar. Capitol Studios, Los Angeles, CA, February 15, 1954;probably Los Angeles, CA area, 1950s 1. Look For The Silver Lining World Pacific WP-1249, DJ-22. Time After Time World Pacific WP-12493. My Funny Valentine -4.

There Will Never Be Another You Pacific Jazz JWC-500, JWC-EP-1000; World Pacific WP-12495. But Not For Me World Pacific WP-1249. World Pacific WP-1249 Chet Baker - Pretty/Groovy 1959. World Pacific DJ-2 Various Artists - Disc Jockey Edition - A Taste Of The Best From World Pacific. Pacific Jazz JWC-500 Various Artists - Jazz West Coast 1956= World Pacific JWC-500 - 1958.

Pacific Jazz JWC-EP-1000 Various Artists - Jazz West Coast 1956?Chet Baker, trumpet, vocals; Russ Freeman, piano; Carson Smith, bass; Bob Neel, drums; + an overdub: Joe Pass, guitar. 'Tiffany Club', Los Angeles, CA, August 10, 1954 No Ties Mosaic MR4-113Out Of Nowhere -Deep Purple -My Little Suede Shoes -Lady Bird -Line For Lyons -Lullaby Of The Leaves -My Old Flame -Russ Job (alternate take) Pacific Jazz PJ-1206, (J) K18P-9259; Mosaic MR4-113The Wind Mosaic MR4-113Zing! Went The Strings Of My Heart Pacific Jazz PJ-75; Mosaic MR4-113Everything Happens To Me Mosaic MR4-113A Dandy Line -Frenesi -Moonlight In Vermont -Carson City Stage -. Mosaic MR4-113 The Complete Pacific Jazz Live Recordings Of The Chet Baker Quartet With Russ Freeman 1985= Mosaic MD3-113 - 1989. Pacific Jazz PJ-1206 The Trumpet Artistry Of Chet Baker 1955= World Pacific PJ-1206 - 1958. Pacific Jazz (J) K18P-9259 Chet Baker Quartet - Cool Baker, Vol.

1 1983. Pacific Jazz PJ-75 Gerry Mulligan, Chet Baker - Timeless 1963= Pacific Jazz ST-20146 Gerry Mulligan And Chet Baker - Timeless 1968Clifford Brown, trumpet; Stu Williamson, valve trombone; Zoot Sims, tenor sax; Bob Gordon, baritone sax; Russ Freeman, piano; Carson Smith, bass; Shelly Manne, drums; Jack Montrose, arranger. Los Angeles, CA, circa September, 1954 The Day You Came Along Liberty LRP-3003So Far, So Good -I Wouldn't Change You For The World / You Are Too Beautiful -Serenade In Blue -Let's Fall In Love -Remember Me / There Goes My Heart -Lady Be Good -Chloe -Topsy -. Liberty LRP-3003 Jimmy Rowles Trio - Rare-But Well Done 1954= Mosaic MS-019 Russ Freeman, Richard Twardzik, Jimmy Rowles, Clare Fischer - The Pacific Jazz Piano Trios - Mosaic Select 2005Howard Roberts, guitar; George Duvivier, bass; Chico Hamilton, drums.

Gerry Mulligan, a baritone saxophonist and a major figure in jazz, died on Saturday morning at his home in Darien, Conn. From complications after surgery for a knee infection, said his wife, Franca. He was 68.He had been suffering from liver cancer, said George Wein, the director of the JVC Jazz Festival and a close personal friend.Mr.

Mulligan was one of the great improvisers of postwar jazz. In his hands the baritone saxophone, usually a burly, stiff creature, became supple and elegant. Mulligan was after grace and gentleness when he improvised, and his solos, whether at a ballad tempo or at faster speed, always have warmth to them that makes them seem personal.Wit played a large part in his improvisations, and in many of his solos, he added riffs that sparkled, an odd quote or a sly melodic fillip that took his creations out of the realm of the ordinary. His solos had flow, logic, tempo, and sense of progression.

Mulligan was a special improviser, much of his importance came from his conception as a band leader and arranger; for much of his early career, he was hailed more as a songwriter than as an soloist.In 1952 with the trumpeter Chet Baker, Mr. Mulligan settled on the instrumentation for a group that included simply the two of them, a bassist and a drummer, leaving out the pianist. That group, which came together in Los Angeles, helped solidify California as the home territory for what was called the Cool School of jazz. And it identified Mr. Mulligan, who ironically spent most of his time on the East Coast, as a leader of the movement.Over the years, Mr. Mulligan developed a writing personality that can be traced to one of his most important early successes, the music he produced for the Miles Davis 'Birth of the Cool' nonet.Mr.

Mulligan's subsequent composing, whether for small groups or large, studiously avoided the cliches of big band orchestration, opting instead for a well-centered, calmly rational approach. And he made sure that many of his arrangements were full of moving lines, not only referring to an earlier style of polyphonic jazz, but also making his arrangements sound almost improvised. The pianist John Lewis said Mr. Mulligan's influence had 'become so general, they won't know to give him credit in the next generation.' Gerald Joseph Mulligan was born in New York on April 6, 1927, and grew up in Philadelphia. He began his professional career at age 17, working with a series of East Coast bands, including the groups of Johnny Warrington, George Paxton and Tommy Tucker, for whom he was playing alto saxophone and arranging.

Mulligan returned to New York City and began a series of higher-profile jobs, including arranging for Gene Krupa, for whom he contributed 'Disc Jockey Jump,' an early Mulligan classic, and Claude Thornhill, a progressive big-band leader.It was with Thornhill's band that Mr. Mulligan met the arranger Gil Evans, who introduced him to an especially fertile scene of young, creative musicians who were about to change the sound of jazz, including Miles Davis, the composer George Russell and Mr. Lewis, who went on to found the Modern Jazz Quartet.They all spent time in Mr. Evans's tiny basement apartment, behind a laundry on West 55th Street in Manhattan. Out of that compositional hothouse came Davis's 'Birth of the Cool' band, founded in 1947, and a subsequent recording of the same name.

By adding French horns and tubas, the band changed the orchestral possibilities of the music, leading ultimately to the famous collaborations of Mr. Davis and Mr. Evans a few years later.Mr.

Mulligan contributed three original compositions, along with two more arrangements to the album. His work made up nearly half of the album, and in later years Mr. Mulligan made it clear that he felt his work on the project had been diminished by Davis.In 1950, Mr. Mulligan hitchhiked to Los Angeles and gained immediate work with the bandleader Stan Kenton, who didn't particularly like Mr. Mulligan's style. Kenton assigned him to write simple dance tunes. Mulligan soon left; after working weekend sessions at the Lighthouse, a famous club in nearby Hermosa Beach, he secured a regular Monday-night job at the Haig, one of Los Angeles's most important clubs.It was there that he met the trumpeter Chet Baker, who joined Mr.

Mulligan's first 'pianoless quartet' in 1952. Stories conflict about the reasons for the group; one has it that the piano at the Haig's piano wasn't particularly good; another has it that the club was without a piano entirely.But in June of 1952, Mr.

Mulligan went into the recording studio; the pianist Jimmy Rowles, meant to play, never showed up. Mulligan, who recorded some music with just bass and drums, apparently liked the sound. In August of that year, the group, without piano but with Mr. Baker, recorded for the small World Pacific Records label, releasing a single that included 'Bernie's Tune,' by Bernie Miller. The group quickly became a large draw, and the sales of subsequent recordings established the label; Mr.

Baker stayed with the group until 1954, when the two went their separate ways because of money differences. But that pianoless conception, later adopted by the avant-garde through the work of Ornette Coleman, another Los Angeles-based musician, became an important part of jazz.In 1953, Mr. Mulligan was incarcerated for drug use; when he was released in 1954, he returned to New York City, where he spent a good portion of his career.During the 1950's, he recorded a string of exceptional albums including 'The Gerry Mulligan Songbook,' recently rereleased on the Pacific Jazz label and featuring his compositions for different saxophonists, including Al Cohn, Zoot Sims and Lee Konitz.

His groups ranged from quartets to tentettes to small big bands, many using the pianoless configuration. He replaced Mr. Baker with a series of fine soloists, including the trumpeter Art Farmer, the valve trombonist Bob Brookmeyer and the trumpeter Jon Eardley.He was at the peak of his powers and also of his celebrity; while maintaining a good critical reputation and becoming one of jazz's biggest-selling artists, he was also associated with several film stars, including the actresses Judy Holliday and Sandy Dennis, to whom he was married. And he presented himself as a serious artist: though he often said that his music was about fun, he performed in a suit and tie, and his performances were clearly not about jazz as entertainm.